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January, 2005
Phillip Johnson is dead and for the most part the public
will glance at the page-one notice, acknowledge that 96 years
is a long life and turn to the sports section. Such is the
minor fame of major architects in a fame-glutted society.
Johnson, it seems to me, had several attributes that allowed
him to move easily and powerfully through the world of architecture
. . . and a dizzying, spiteful, jealous and egotistical world
it is: he was independently wealthy, intellectually curious,
smart, enormously enthusiastic and willing. A good many contemporaries
shared the first qualities but were lacking in the last .
. . willingness is not the same as self-promotional, it shrugs
off the consequence of being wrong and there’s great
strength in that.
Johnson was famously politically wrong and it says a good
deal about his charm and intellect that, being so wrong about
Hitler, he was able to move on to collaborate and learn from
Mies van der Rohe and then move on again. Architects are
famous for not moving on. Like pros on the PGA tour, most
cling to their swing long after it’s failed them. Phillip
moved on and in doing that he left some great, some not-so-great
and some truly awful buildings behind him.
Even so, Johnson never succumbed to telling (to build is
to tell in this instance) the architectural joke that’s
been so in vogue for the past couple of decades. The AT&T
building came close, with its chippendale top, but that was
more smile than guffaw. The currently hot Frank Ghereyesque
crowd tell each other architectural jokes and see how far
they can push public acceptance of the outrageous-as-serious.
But like a joke that’s funny the first time, these
buildings are retold each time they’re seen and the
joke soon becomes old, then tiresome, finally petty and degrading.
Johnson’s ego, which was large enough, had plenty of
room for the celebration of others and while he reveled in
the gossip of his profession, wit was important to him. But
it was delivered from a scalpel rather than a cleaver.
Whether any of this is important on the day-to-day business
of getting buildings built is not debatable . . . it most
assuredly is important. Someone designs the spaces within
which we live and work. That design has to solve the problems
of proposed use, budget, space, zoning laws, traffic pattern
and ‘liveability,” whatever the hell that is.
It’s the whatever-the-hell-that-is that Phillip Johnson
was good at and he went after it with the zeal of a horseman
after a foxhound. Men like that shape the daily experience
of walking in and out of buildings and when they’re
gone, we miss them. Even if we were not personally aware
of them, we miss them.
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